Daimon and Ana Helstrom are the son and daughter of a mysterious and powerful serial killer. The siblings have a complicated dynamic as they track down the terrorizing worst of humanity - each with their attitude and skills.
The worst thing about Helstrom isn’t that it’s poorly made — it’s that it feels utterly empty. It doesn’t scare, doesn’t intrigue, and never makes you care about its characters. The premise sounded promising: the children of a serial killer, tied to demonic forces and haunted pasts. But it all fades into lifeless dialogue, characters with zero charisma, and a pace that never truly takes off.
It’s not just a writing issue — the casting is also a problem. None of the actors seem convinced by their roles, and that lack of conviction drags the whole show down. Relationships don’t click, emotions don’t land, and even the possessions feel routine. Visually, though, there are some strong moments. The effects are far better than in some so-called “cult” shows.
It’s frustrating, because the idea had real potential to blend horror with psychological depth. But it doesn’t go deep, and it doesn’t scare. It ends up stuck in the middle — and honestly, it’s hard to keep watching. A failed attempt, albeit nicely wrapped.
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