Not every series in the Batman universe needs to rely on the Dark Knight to shine, and The Penguin proves that brilliantly. This spin-off leans entirely on Colin Farrell’s unhinged, unrecognizable, and magnificent performance, bringing Oz to life with a mix of pathos, brutality, and overwhelming ambition. Cristin Milioti isn’t far behind, delivering an intensity that sparks in every scene she shares with Farrell. Together, they build a tension that escalates with each episode.
The show knows exactly how long it should be: eight episodes that don’t drag or lose momentum. Unlike other productions that stretch the plot until it loses focus, The Penguin gets straight to the point, maintaining that gritty, violent tone that fits perfectly in Matt Reeves’ Gotham. The atmosphere is excellent—dark and decaying, just as it should be—and the tone blends classic gangster drama with near-theatrical touches of personal tragedy.
Sure, some supporting characters barely get a chance to stand out, and not every episode hits the same high notes, but the series as a whole is packed with impact. There are truly powerful moments. You don’t need Batman to feel the power, fear, and the constant struggle for control running through every corner of Gotham.
If what you wanted was a Gotham story told from the sewers, here you have one full of character, blood, and ambition. A series that doesn’t need capes or pointy ears to leave a mark.
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