A Working Man doesn’t try to fool anyone — it’s a Jason Statham film, through and through. If you’ve seen any of his previous work, you already know the drill. A tough guy with a dark past, loyal to a fault, forced to use his fists (and whatever else is handy) to rescue someone close to him. The formula repeats itself with few surprises, but it works — because Statham always delivers. This movie isn’t here to reinvent the genre. It doesn’t need to. It offers exactly what it promises: solid hand-to-hand combat, chase scenes, nasty villains, and a hero who won’t stop until he’s put things right. The pacing is decent, the action feels physical and grounded (no CGI overdose, thankfully), and while the story is old as time, it’s enough to set things in motion. Is it original? No. Does it offer dramatic depth? Not really. But the film’s greatest strength is in its honesty — it knows what it is and never pretends to be anything else. There’s something comforting about watching an action flick that embraces its clichés without apology. And although the supporting cast doesn’t stand out and the script is flatter than a boxing ring, the essentials — action, revenge, and Statham — are all there. It may not be memorable, but A Working Man delivers exactly what fans come for: a solid dose of classic action, Statham-style. The kind of movie that lets you switch off your brain for a while and enjoy the ride — with a grin of satisfaction.

One of the more lackluster Statham action flicks. The action scenes are quite short and apart from some gore, aren't noteworthy. It's pretty predictable and ends in a way that exists to either set up a sequel or in a lazy fashion.